A few weeks ago, RADwood graced our fair city of Detroit. In case you’ve been living under a rock for the past several years, RADwood is a car show that celebrates vehicles from the 80’s and 90’s in cities across the US and the UK. It’s more than just a show; as the website brands it, RADwood is a “lifestyle event.”
There is food, live music, awards, and people dress up in their best period attire. They also pose many of the vehicles in a more artful way than typical car shows where everyone is just lined up next to each other. While at the show I got to sit down with Art Cervantes, the director of RADwood, and chat about cars and all things RAD.
In the RADwood spirit, I eschewed my magic phone and brought some old-school disposable film cameras for my brother and me to take pictures with at the show. This itself was a trip down memory lane. I forgot about having to squint into the tiny viewfinder, the plasticky ratcheting sound as you wind the film after each photo, running out of film, and having to wait three weeks to get your photos back from the developer to see if they are any good. Truthfully, I love the results. Most look like they were taken at a car show 30 years ago.
It’s important to explain why RADwood exists. I was born in 1984, and am solidly in RADwood’s target demographic. When I came of age and started going to car shows in the 90’s and 2000’s the Boomers were having their day. Hippie culture was sort of making a comeback, songs from the 60’s and 70’s were being used in commercials to cash in on their nostalgia. At car shows it was all about the muscle car.
Don’t get me wrong, I love muscle cars and hope to own one someday, but I don’t have the same connection with them as the Boomer generation who grew up with them. I got driven to school in 80’s Hondas and Chrysler minivans. I remember staying up all night with excitement when my parents bought a new car, a 1992 Oldsmobile Custom Cruiser. The first time I went over 100 mph was in my friend’s Mitsubishi 3000GT. For the dominant group of enthusiasts at the time, 80’s and 90’s cars just weren’t that cool. My 94 Bonneville probably would’ve been looked down on if I brought it to a show 20 years ago.
We all know life moves in cycles. The muscle cars of the ’60s and ’70s are still plenty cool, but 80s and 90s babies are now on the scene, buying and restoring the cars of their youth. As much as I love to see a 69’ Plymouth Roadrunner, I get more excited seeing a 90’s Plymouth Voyager and remembering all those trips with my friends horsing around in the back seats. It’s awesome seeing the same Lamborghini Diablo I had on my wall as a kid. It was inevitable a show that celebrates these cars would come on the scene, and RADwood does an excellent job.
It was a lot of fun walking around Detroit’s Hart Plaza, seeing people decked out in 80’s and 90’s attire, drooling over an excellent selection of cars. You’ll see bedroom wall poster supercars, mundane daily drivers, and everything in between. That is another cool thing about RADwood, is all cars from that era are welcome and celebrated.
Art Cervantes, the co-founder and director of RADwood was nice enough to take a break from judging cars to sit and chat with me. He’s definitely a car guy through and through. I asked him beyond the nostalgia factor, what makes cars from this era special?
“This particular era is a perfect hybrid of analog and modernity. You have that classic vibe, but it’s a car that will start because it’s fuel injected. You have some basic electronics but you have a little bit of that comfort, like a pretty decent AC. That makes them desirable as a classic or like an entry-level collector car too. They’re easier to work on there and you can still find parts. They’re a little more usable than something carbureted.”
This is something I love about cars from this era. Automakers started working harder to make their vehicles more reliable and not turn to scrap after 100k miles. It was a time before electronic power steering and throttle by wire removed a lot of the tactile feedback you got while driving. No screens, less distractions. It was just you and the car.
Since RADwood shows take place all over the US and now the UK as well, I asked Art what makes the Detroit show unique.
“I love how it brings out a lot of the obscure tuner stuff and the special additions from domestic manufactures that we don’t really see on the West Coast. I think it happened where naturally, those cars were put out there and the rust kinda took them so they only made it within a 50 mile radius of Detroit, so it’s very rare to see that stuff. For example I didn’t even know about the Olds Quad-442 special edition. This is a pretty cool car, dual overhead cam, high revving. Actually a very sporty, a good handling car. So there were all these cars that were being produced in that period that we don’t see anywhere else. You have the Omnis and the GLHS’s and the Saleens and the Shelbys like that CSX up there. I’m doing the judging and I’m seeing Lincoln town cars from the 80s that are absolutely impeccable, that someone kept at their lake house. Those don’t exist where I live. You got a lot of the domestic stuff which is great, I’m glad we can celebrate that here.”
I definitely agreed with him on those points. Walking around the show there were boatloads of obscure cars, as well as mint versions of everyday cars that filled the roads 30 years ago but now have disappeared from the landscape.
Although we were a little sad my Bonneville didn’t make it to the show despite wrenching until midnight the night before, my brother and I had a great time. It was fun checking out dream cars from our childhood and exploring everyday cars from our youth that would have been lost to time if not for the hard work of fellow enthusiasts. We will definitely be back next year. Enjoy the rest of the photos!
When my Mom gave me her 94 Accord several years ago there was a disposable camera in the glovebox, to take pics in case of accident. Left it there. Also an old Garmin GPS unit. I plugged that in and it took about 15 minutes but it finally found some satellites! Using it on another car as a speedometer, since that’s broken.
Film on its own produces something that just can’t really be simulated with digital, you can get close with filters.
there’s also something about lenses that aren’t going to reproduce pixel perfection as well.
the 2 door s10 blazer 4×4 was, every time I see one, it’s fond memories of the one I had in the late 90s. except anytime I had to accelerate, those are not fond memories.
fun car, but dog slow.
I’ve said that nothing succeeds like digital, but nothing fails like film. Even the crappiest lens and cheapest film will get you something really interesting and usable in a film camera, while in a digital camera when it gets too cheap it really starts to show. Many of my favorite shots are using toy cameras and experimenting.
Another thing I’ve noticed with film is that people will just start talking to you if you have an old camera. It is kind of nice hearing especially older people reminisce about their youth or experiences.
I absolutely love your photos. I could see someone asking you what kind of photo app you’re using for the color saturation. Also, I need to attend one day.
That’s awesome, my wife and I loved when Radwood came to town, only regret was not getting more photos of us and the cars, looks like great weather and a great showing.
That ASC McLaren Capri brings back memories. There was one sitting in the used car lot of the Chevy dealer near me back in the early ’90s. I was always tempted to stop in an inquire, but you know what they say: “If you have to ask….”
I remember seeing a McLaren ASC Capri, one of the convertible 2-seaters, when they were new at a Lincoln-Mercury dealer in San Antonio. IIRC, it stickered for >$20,000 at a time when a fully loaded Mustang/Capri was ~$10,000.
*edit, removing this post because I was wrong.
Aw, man! I was all ready to clap back at you. Well, since I already copied the link, here is a video of an ASC McLaren Capri convertible for anyone who may be interested.
I just have on note here and it says “no notes”.
Is that a supercharged 635i?
That camera is an early-mid 90s “blobject.” It’s an industrial design artefact that crosses into automotive (I see you, Ford Taurus). Cheaper and easier access to free-form CAD meant that no straight line or rational proportion was safe from the “toddler-handled lump of pizza dough” look.
Nah. It’s a Kodak FunSaver, which traces it’s design back to the mid ’00s. Source: I work for Kodak. The ’90s gave us the Kodak Max, which was a bit similar, but less blobby.
These pictures are great! They absolutely look like you time travelled to 1998 and took pictures in a parking lot. I haven’t used a film camera since 2005. I was reluctant to switch to digital at first, but going from a film to digital SLR made the transition pretty easy for me.
A lot of us in Phoenix were salty about the Radwood show they hosted here. Seemed like minimal advertising, which probably made the event a big enough flop to never grace our city again. Real shame.
Well I didn’t even know there was one, so was there any advertising?
The diversity of vehicles from the mundane to the ridiculous is part of what I love most about Radwood. I’ve spent just as much time geeking out over a super clean Daihatsu Charade as I have a cocaine-fueled Mercedes 126 coupe with gullwing doors.
I unfortunately had to miss Radwood L.A. last year but will be taking my ’85 Ford LTD there this year.
I attended the Radwood in San Francisco this July and it was fantastic. I’m GenX and quite doing car shows 25 years ago, the endless rows of perfectly-clean-white-t-shirts/shorts/white tennis shoe-shod Boomers displaying ’69 Camaros and ’57 Chevys got real old after awhile.
Radwood is a breath of fresh air because you see everything from the era. An ’80 LUV pickup with swoopy camper shell, flares and original stripes won the whole thing, scruffy original paint and all.
It was awesome.
Sorry I missed this. Just for the hell of it, I’d love to have some of my 1980’s and 1990’s cars back.
I am most sorry, however, that I no longer have my JAMS shorts circa 1987. I LOVED those shorts.
Best line is from Ricky Gervais, when he was shown pictures of himself from the early 1980’s looking like a Flock of Seagulls:
Q: Aren’t you embarrassed about how you looked?
A: No, that was the style then. I’m embarrassed about how I look now!
I’m digging the seat fabrics on that blue Merkur XR4ti. Are they actually stock?
I remember ISO400 was the hot shit at the time and ISO1000 was truly exotic.
Today I set my sensor at ISO4000 and can pretty much shoot anything handheld sans flash with imperceptible noise. With sensor-based vibration isolation it’s like ISO32000!
Meanwhile, I’ve gone backwards and have been experimenting using ISO6 and under copy film.
I love the look of the Jalpa. Those shoulder pad things just get me.
My lottery-win dream is to get a white-on-white Jalpa and have it upgraded with electronics, cooling system, fuel injection, etc. that won’t fail every other day.
The first time I saw one was on Miami Vice (it was used in at least two episodes), and since then, I’ve lusted after one more than Robin Master’s 308.
I’m not sure where I first saw one. Might have been an mid-80s issue of Playboy with a photo feature on sportscars. (Hey, don’t look at me like that, I was reading it for the pictures.) Also where I became smitten with the Aston Martin Lagonda.
That was the episode “Phil the Shill” with guest star Phil Collins, who drove the Jalpa in that episode. I loved the white on white!
Edward James Olmos (Castillo) also drove one (black) in at least one episode.
There were so many awesome 80’s cars throughout the whole series!
I believe the Commander Adama one was the Castillo-focused yakuza episode.
It is also cool to rewatch and see all the stars that had pre-break out roles. Bruce Willis and Liam Neeson are two that come to mind. Not to mention the musical guest stars that had actual roles rather than simple cameos: Frank Zappa, Glenn Frey, Sheena Easton, Ted Nugent, James Brown, to name a few. And to tie it back to cars, Danny Sullivan even guest starred as a (surprise!) race car driver.
Absolutely! I believe Bruce Willis was doing the show Moonlighting at the time? So many big names at the time as well as unknowns that would go on to do bigger things. Don Johnson was supposedly responsible for Julia Roberts role in her season 4 appearances. John Leguizamo, Ben Stiller, Ed O’Neill, Gene Simmons of KISS, Pam Grier, Nathan Lane etc etc.
Danny Sullivan wasn’t the best actor in that episode about the Miami Grand Prix haha. You can also see either Bob Sharp or Paul Newman drive the Z31 Newman/Sharp car!
My Sunbird and I made the cut of your photos. I’m honored! Glad you came by and it was a hell of an event. The highlight of my year by far.
I wondered about that, from what I could see from your avatar! She’s beautiful.
Edit: tell me that’s you wearing David Lee Roth pants.
To the left of the ‘Bird in the white shirt is me. I wore those pants with Converses and an “MTV Spring Break 1991” t-shirt. Ha.
Also: thank you for the Sunbird compliment! She’s kinda my pride and joy. 🙂
As someone who grew up in that era, I’ll always treasure how they really represented everyday obtainable automotive enjoyment to me. The successor Sunfires too.
If Cavaliers were often kinda dowdy in execution, Sunbirds were fun, even in their basic forms. Pontiac’s “we build excitement” mojo, with all the gimmicks and less-subtle styling, was infectious. Still is for me, and makes me miss the division all the more.
I’m Gen-X prime, and for us, this stuff is gold.
We’re old enough to remember the malaise-era, so we’re extra-appreciative of what the ’90s esp. brought in terms of reliability. If you’re too young, count yourself lucky; back then, “my car wouldn’t start” was a completely reasonable excuse for not being somewhere.
Sure, reliability has steadily increased since then, but so has the distraction and the idea that driving a car isn’t necessarily the focal point of the automotive experience anymore.
So Cervantes’ point is very well put. My main cars are from the ’00s, which, if you chose carefully, still had that ethos.
I’m OG Gen-X myself, and two conflicting things about the evolution of cars since I received my permit confound me. The cars we considered fast in the early 80s can now be embarrassed by a grandmother’s car. Hell, I own a $3000 car that could run when new the same 5.4 0-60 as a 1983 Countach. What a time to be alive!
Conversely, while cars have been getting way quicker, they are also increasingly isolating us from the experience of driving. Between the drive-by-wire, non-defeatable traction control, and the infuriating driver’s assists, it almost feels like a video game.
What profit a (wo)man to gain the greatest car if they lose the will to drive thereby?
(yeah: I’m goin to hell. Whatever, the company has got to be better there.)
You’ve captured the generational zeitgeist so well here. A way I’ve heard it phrased that I like is there’s a spectrum of immediacy. When we were kids, it was high, whether for good or bad; now, it’s fairly low.
For much of the current market, that’s fine, as they have very little actual experience with the experience, as it were. But for us, we do remember.
Wow they still sell those? Makes me want to pick up some 35mm and dig up my wife’s SLR from the 80’s.
Neat photos, they definitely fit the vibe.
To be a bit of a buzzkill if you’re tempted to do the same again in future please pick up an old 35mm camera off eBay or something and load it with some film instead. One thing that doesn’t fit the vibe of a load of people keeping their cool old cars going is buying an object you use for a single day before it ends up in landfill. Plus, you could have an *actual* 80s/90s film camera to sling around your neck at the next one, which is much more fun!
Will definitely do that next time!
If you need one, I have an 80’s era Pentax K-1000 with multiple lenses (std, wide angle, telephoto, and zoom) that I’d cut you a deal on!
Though, strictly speaking, that is kinda ’90s – back then, we were guzzling bottled water like they were going to stop making it, and then chuckling the empties in the trash.
Touché!
It was a crazy time when everyone simultaneously decided that municipal tap water, perhaps the most regulated thing in our lives, was undrinkable and that the only solution was drinking a lot of small bottles of spring water (“it says minerals right on there!”) disposed-of in a pre large scale recycling manner.
It’s a happy snapper!
So interesting seeing the difference in quality of these photos from digital photos – it’s like stepping back into the early 2000s!
In some circles a “happy snapper” means something completely different…
My nostalgia is for turn of the Millennium stuff, not redwood. But the film stock… oh man. Looking at the colors and blur was total nostalgic overload
It’s just a matter of time before the 2000s themed car shows start. ????
There’s already a Facebook group for this called “Litwood.”
That’s more 2010s, iWood (the one Nick and I are working on kinda) is 1999-2012. Post-recession cars lost their spark.
Well they define the group as encompassing all 2000-2019 vehicles, but I have no dog in that fight.
I’ve got a 2008 Mazda RX-8 40th Anniversary Edition waiting to bring to this, if you ever do one in SoCal.
Currently torn between LA and Detroit for the first one
Well LA has my vote, and I have a coworker with an S2000 who I’m sure would be down.
Ha, actually I could bring my 2010 Challenger R/T too now that I think about it.
I’ve got a rust-free ’01 S-10 p/u for a midwest iWood.
I’ve got a rust free original frame 02 Tundra, but even at 660k miles that’s not impressive in CA lol
My only criticism is the caption under the Neon isn’t “Hi.”
Really can’t match the vibe much better than a disposable camera, or an early aughts Powershot. Peak photography? Nope! But a vibe so well curated that you just can’t argue with it.
I still would love a Nitro-Acid Yellow Green Neon with an SRT-4 swap.
Love some of the only-in-the-80s wheels. Like those on the red thing with wood grain. Is that a Fiesta? I was going to guess Colt, but the blue one behind seems the same and I’m guessing Fiesta on that.
Wood grain car is a Festiva with Mazda 626 coupe wheel covers. I asked the guy. Haha.
I guessed it right! The car, not the wheel covers.
They remind me of the checkerboard wheels that came on my Subaru XT: delightfully odd.
Actually they’re aluminum wheels, not wheel covers.
Thank you! That’s correct. I love them.
The combination of wheels and wood grain on the Fiesta is *chef’s kiss*
Man, I miss the warm tones and light haze of cameras like that. They just have a life to them
I still shoot film – though with quality film cameras from the 50s-90s and it’s great still being able to get these film looks. That the cameras feel great to use – unlike the disposables – makes it even better.
FWIW, the “disposables” are actually refilled with film after developing. Not sure if they replace the batteries, or if that’s the EOL for them.